Hold Tight — Harlan Coben
Mike and Tina Baye are worried about their son, Adam. He’s withdrawn from them lately, and it’s much more than the usual teenage, “leave me alone” behavior. His best friend recently committed suicide, and Adam has lost interest in all the things he used to love. Out of worry, Mike and Tina decide they need to know more about their son than he’s willing to tell them. So they install spy software on his computer and monitor who he talks to, what sites he surfs, what he reads. They discover that he’s involved in a crowd that does a lot of drinking and drugs. But what they learn that frightens them the most is the message someone sends Adam advising him to “just stay quiet and all safe.”
But Adam is afraid, and he runs off when he discovers his parents have been spying on him. Mike and Tina are frantic. They try to locate him using the GPS on his cell phone, and just as Mike gets close, he’s attacked and hospitalized by a group of men who don’t want him finding his son. And when they start to question all the people their son is known to have talked to recently, they come up against one stone wall after another. Mike and Tina soon learn that maybe Adam didn’t just run away. Maybe he was taken.
I liked this book quite a bit. I thought the diverse cast of characters that all seem to be separate and unconnected to the main plot were woven together smartly in the end. The book opens with a particularly gruesome event that seems to stand alone and make no sense to the major story. You wonder when it will come together, and how it possibly could when, just like that… it all does, and it makes sense.
I picture Coben with a giant plot board of sticky notes and string connecting them in front of him when he maps out his stories. He’d have to have some sort of system in place to keep it all sorted out. The guy’s great at plot, I will give him that. But I don’t think the writing was particularly great this time (word choices, phrasings, dialogue). But hey… I’ve read a lot of books that have been bestsellers that weren’t well-written. Goes to show you that it’s the story, the idea behind it all, that makes it a great read. You can be a technically gifted writer, have a way with words, but if you don’t have a story that grabs attention, you’ve got nothing.
This is a story about a woman named Grace Lawson who picks up her photos from a local print shop only to find there is a picture in the set that wasn’t taken with her camera. What’s strange about the picture is that when she looks closely at it, she thinks she recognizes a younger version of her husband Jack in it. And what makes it stranger still is that the woman he’s standing next to in the photo has a giant red X marked over her. When Grace takes the photo home and shows it to her husband to see if he knows anything about it, he reacts very strangely to it, claiming it isn’t him in the photo; then, excusing himself to take a phone call, he leaves the room and never comes back.



Ben is a young college student just a few semesters away from graduating and becoming a geologist. He agrees to work as a guide and take a businessman and hobby hunter named Madec out into the desert near his hometown to hunt the elusive bighorn sheep. Though Ben doesn’t agree with Madec’s desire to shoot the bighorns, which are slowly dwindling in numbers, he is a poor man with no family and he needs to earn money to continue his studies.
Timothy Carrier is sitting in a bar one night when a man comes in, sits down next to him, slides over an envelope full of cash and a picture of a woman, and tells him he’ll get the other half of the money after he kills the woman. At first, Tim thinks the man is joking, but it quickly becomes apparent to him the man has mistaken him for a killer-for-hire. The man leaves before Tim can explain he isn’t a killer, and before he can go after him, the door opens again and the real killer walks in and takes the vacant seat next to Tim. Realising the killer and the man who hired him don’t know each other, Tim decides to pretend he is the man who hired the killer. Removing the picture from the envelope, he slides the cash over to the hitman and tells him that he’s changed his mind, he doesn’t want the woman killed after all, and he should take the money as a no-kill fee for his troubles.
Mitch Rafferty believes he has the perfect life: he owns a small gardening business, and lives a quiet, happy life with his wife in their little bungalow. It’s a particularly beautiful summer day and he’s busy planting flowers at a client’s house when his cell phone rings and his tranquil life is given a shot of pure adrenline from the moment the caller tells him his wife Holly has been kidnapped and will only be returned to him alive when he produces $2 million cash in only 60 hours. If he doesn’t produce the money in time, they will kill her. To prove the seriousness of their demands, a sniper places a shot through the head of a man walking his dog just down the street from where Mitch is working.
This book is very good. I’m tempted to leave it at that and ask you to take my word for it because there is so much happening in this story that it’s daunting to even think about how to review it well enough to give those of you who haven’t read it a good sense for it. But I’ll try.





